Obese, megalithic, dynamic distortion is what it’s all about. The XXL’s Warp™ control manipulates the structure and balance of odd and even harmonics and influences their relativity to the dynamics of your instrument and your playing style. Translation: you can achieve a variety of results, even within the same setting, depending on the manner and force of your pick attack. Originally in production from 1995-2000, some guitar players considered the XXL a little too over-the-top(!). Oddly enough, certain bass players seemed to like it just fine.
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