Sunday, February 26, 2012
Taylor 2012 Gs5-12 Mahogany/Cedar Grand Symphony 12-String Acoustic Guitar Mahogany Stain
The Taylor 2012 GS5-12 Mahogany/Cedar Grand Symphony 12-String Acoustic Guitar combines the exceptionally warm and articulate tones of tropical mahogany with a Sitka spruce top. You get a guitar with wide dynamic range and mellow warm tone. The traditional acoustic guitar styling of the Taylor GS5-12 creates an elegant, understated look, but with the power and richness only a 12-string guitar can deliver.Grand Symphony (GS)Body Length: 20" / Body Width: 16 1/4" / Body Depth: 4 5/8"The ultimate Taylor strummer.
Fender Elvis Presley Kingman Clambake Acoustic Guitar Natural
The Fender Elvis Presley Kingman Clambake Acoustic Guitar is a painstaking re-creation of one of Elvis' most iconic instruments used during his movie career in movies like Clambake and Double Trouble. The Elvis Kingman has everything from the large Fender headstock logo, dual checkerboard rosette,
* 100-Watt valve head
* Valve complement: 5 x ECC83 (12AX7s) in preamp, 2 x EL34s in power amp
* 4 independent, footswitchable channels--Clean, Crunch, OD1 & OD2
* Each channel boasts 3 footswitchable modes — Green, Orange & Red
* Studio quality, footswitchable digital reverb with level controls for all 4 channels.
* 2 footswitchable master volumes
* Two FX loops — Series/Parallel & Parallel
* Series/Parallel FX loop is footswitchable
* Emulated line out
* 6-way, 7-LED footswitch with memory capabilities (UK patent pending)
* All switching can be done via MIDI
* Made in England
Marshall Jvm410h And 1960Av Half Stack Angled
Marshall Jvm410h And 1960Av Half Stack Angled
Marshall Jvm410h And 1960Av Half Stack Angled
This half stack includes the Marshall JVM410H Tube Amp Head and 1960AV Vintage Speaker Cabinet.JVM410H Tube Amp HeadIn a nutshell, the Marshall all-tube, 4-channel JVM410H 100-Watt tube head is the most versatile Marshall amplifier ever made. It also boasts more gain than any other Marshall to date and that's really saying something!Each of its 4 channels Clean, Crunch, OD1 & OD2 are not only completely independent of each other, they all boast 3 Modes, all 12 of which are footswitchable and feature their own unique gain structure.
It makes the JVM 4-channel effectively 12 Marshalls in one!The JVM410H amp head has studio-quality digital reverb with a level control for each channel. This is also footswitchable, as are the amp's two Master Volume controls and the Series/Parallel effects loop. Resonance and Presence are equipped with master controls.Even though the head and combo both house 28 controls and 8 LED switches on their front panels, they're incredibly simple to understand because of the extremely logical layout.
Each of the 4 channels has the usual suspects when it comes to controls Volume, Bass, Middle, Treble & Gain accounting for 20 of the 28 controls right away. Take away the 4 reverb controls and you're only left with 4 Master controls 2 Master Volumes plus Resonance & Presence.Add to this an ingenious footswitch (UK patent pending) and the fact all the amp's switching (channel/modes, Reverb, Master Volume selection, FX loop) can be done via MIDI and you're looking at an incredibly flexible amp!
The 6-way footswitch boasts 7 LEDs and memory, plus it connects to the amp via a regular guitar cable.From the cleanest clean to the filthiest distortion ever found in a Marshall and all points in-between, the JVM410H all-valve amp head will give you whatever tone you need right when you need it.1960AV Vintage Speaker CabinetThe Marshall 1960V Vintage Speaker Cabinet puts out beautiful tone at any volume.
Friday, February 24, 2012
The LH-309's top is hand-carved and hand-graduated solid Spruce. We've carefully placed our own P-90 pickup in the perfect spot. The classic high output and articulate treble response of the P-90 is the ideal complement to the spruce top and maple back and sides, excellent for either rhythm or lead playing.
With a 16" lower bout and a classic 24-3/4" scale, the LH-309 is a nod to original Golden Age archtop designs.
The LO-216 is a unique flat top guitar that gives players the chance to sample everything great about a small body instrument, but still benefit from the extra volume of a longer scale. It starts with a solid Sitka spruce top on a classic 0-style body. The dreadnought scale length means that the strings have greater excursion, resulting in more punch and projection than you’d expect from a small-body guitar.
The Sitka spruce combines with the mahogany back and sides for players who prefer a slightly darker tone that’s great for any style of music. Our 1-11/16” bone nut is comfortable for either fingerpicking or strumming, and the vintage-style Golden Age tuning machines keep the 216 in tune through extended playing sessions. The ivory body binding and bound headstock give it a refined, classic look that complements both the finish and firestripe pickguard.
Thursday, February 23, 2012
The New Regal RC-3 combines the Ultimate in Old-time Tone with a slim, modern neck for today’s guitarists! The Duolian-style metal body joins the neck at the 14th fret for easy playability. The slim, mahogany neck has an adjustable truss rod, a genuine rosewood fingerboard and a solid peghead with pearloid overlay. The spun aluminum cone with wooden “biscuit” bridge provides the Classic sound with tremendous volume. The bell brass body is finished in a gleaming nickel-plate, and the coverplate is the rare, late 1930’s variety with slotted soundholes. Die-cast, sealed tuning machines turn easily and precisely, and each RC-3 is shop-adjusted before shipment.
he Marquee Capricorn Bass (AJ-800) has an offset Alder body, a maple neck and a rosewood fretboard. The industry-standard 34” scale length helps insure excellent tone and intonation. The two single-coil Alnico pickups provide round low end with midrange punch. Independent volume controls for each pickup allow players to dial in a range of tones from warm and fat to crisp and aggressive. The unique 2-piece pickguard is reminiscent of classic designs, but adds a subtle modern edge, and the vintage-style bridge and elephant ear tuners
Wednesday, February 22, 2012
Check out the Ibanez SGT120LNT SAGE SERIES Acoustic Guitar and you'll be amazed at the retro look and feel, inspired by the 1st Golden Age of Ibanez acoustic guitars. The shape of the headstock, body, pickguard and bridge recall a time when things were just a bit more ornate, and pride in craftsmanship was much easier to find. The spruce top with mahogany back and sides produces warm, highly articulate sound.
The dreadnought body shape is particularly well-suited for making yourself heard in a group, but the tones are certainly sweet enough for it to stand on its own.
* Dreadnought body
* Spruce top
* Mahogany back and sides
* Pearloid rosette
* Ibanez chrome die-cast tuners
* High gloss finish
The Yamaha NCX2000 guitar inherited many of the characteristics of classical guitars, such as fingerboard width, neck shape, body thickness, and 12th fret joint. Their cutaway bodies and lower string height offer more flexible playability. The NCX line is designed to provide not only classical guitarists with an instrument that is a pleasure to play, but other guitarists playing a wide range of musical styles from flamenco to Latin to popular, and much more.
This top-of-the-line Yamaha classical guitar is designed and crafted drawing on the vast knowledge, craftmanship, and expertise acquired from over 40 years of hand crafting classical Spanish guitars. Its stunning nylon tone is faithfully reproduced with all its beauty and depth through an advanced electronics and pickup system designed by Yamaha.
The Yamaha NCX2000 starts with a solid Hokkaido spruce top, for warm, balanced tone. The neck is African mahogany, while the back and sides are rosewood or flamed maple.
Rosewood is a tropical hardwood that has long been the material of choice for acoustic guitar sides and backs. Harder and heavier than maple, it provides firm support for the guitar's resonating top and delivers rich, well-balanced overtones. The Yamaha guitar's warm quality is perfect for nylon-string tone.
The Taylor 2012 110 Sapele/Spruce Dreadnought Acoustic Guitar gives you crisp, sweet tone with great visual appeal from an ebony fretboard and detailed finish. Refined traditional guitar shape and scalloped X-bracing accentuate the open, airy midrange you expect from a Taylor. Responds especially well to flat picking and heavy strumming.
Sapele Laminate/Solid Sitka
Laminated sapele backs and sides and a solid spruce top make for crisp and well-defined sound in this versatile mid-priced guitar.
The Taylor dreadnought is a focused guitar with plenty of presence, recently redesigned to be even more assertive. It’s the traditional choice for the traditional player; the model to drive with a heavy pick.
* Shape: SolidBody
* Back/Side Wood:Chambered Mahogany
* Top Wood: Quilted Maple
* Neck/Heel: Tropical Mahogany
* Electronics: Full-size Humbuckers (HD or HG)
* Binding: Black
* Fretboard Wood: Ebony
* Fretboard Inlay: 4mm Dots
* Headstock Overlay: Ebony
* Bridge: Taylor-engineered tremolo
* Tuners: Taylor Chrome
* Truss Rod Cover: Ebony
* Back/Side Finish: Gloss
* Top Finish: Gloss
* Neck Finish: Gloss
* Cutaway: Double
With exceptionally warm and articulate tones, tropical mahogany has established itself among many as a favored tonewood. The cedar-topped Taylor 2012 514ce Mahogany/Cedar Grand Auditorium Acoustic-Electric Guitar sets itself apart amongst other tropical mahogany guitars with its cedar complement, popular body shape and excellent electronics. Plugged in, the 514ce will sing out the subtlety of your style loud and clear.
Western Red Cedar/Tropical Mahogany
The Taylor 514ce Grand Auditorium acoustic-electric is constructed of a red cedar top with tropical mahogany back and sides.
Grand Auditorium (GA)
The GA is Taylor’s most versatile and popular shape, excelling at light-touch fingerstyle as well as strumming. Great for mic’ing and recording, the GA’s balanced mid-range and bright tone exemplify the Taylor voice.
Using proprietary pickup technology developed at Taylor, the Expression System® amplifies your Taylor 514ce Grand Auditorium acoustic-electric with a natural live sound. Onboard tone controls provide added flavor, or set them flat for an uncolored, exceptionally-clean amplified sound. It’s your tone, amplified.
The Takamine EG569C is a beautiful looking and sounding acoustic-electric guitar. With ovangkol top, back and sides the EG569C has a stunning color and a bright, vibrant tone. The hard and heavy rosewood fretboard with abalone inlays and abalone rosette give the Takamine EG569C added elegance.
The EG569C comes equipped with the TV-3N preamp that offers 3-band EQ and built in tuner. Takamine’s Thin Line guitars provide fat acoustic tones even at high stage volume while the FXC cutaway body gives increased fingerboard access and playing ease.
Saturday, February 18, 2012
Thursday, February 16, 2012
Ibanez Btb676m 6-String Electric Bass Natural Flat
The Ibanez BTB676M 6-string electric bass has all of the quality features and aspects that Ibanez users have come to know and love. The aesthetically pleasing BTB676M's natural flat finish and sweeping top horn are definitely eye catching. But the BTB isn't form over function. It's 5pc Maple/Bubinga BTB6 thru-neck, Light Ash body/Walnut top and Maple fretboard get the job done with smooth playability and awesome tone. And this beast has top of the line electronics including a Mono-Rail II bridge, Bartolini MK2-6-F neck pickup, Bartolini MK2-6-R bridge pickup and Bartolini MK2 3-band EQ let you get your sound completely dialed in. Natural Flat finish 5pc Maple/Bubinga BTB6 thru-neck Light Ash body/Walnut top Maple fretboard Abalone dot inlay Mono-Rail II bridge Bartolini MK2-6-F neck pickup Bartolini MK2-6-R bridge pickup Bartolini MK2 3-band EQ
Ibanez Gsr205m 5-String Electric Bass Black
The Ibanez GSR205M 5-string electric bass is a no-frills, sonic beatdown that is perfect for beginning and intermediate bass players alike. An agathis body, and maple GSR5 neck and fretboard let you get up and down the neck with ease. The DXH-5N neck pickup, DXH-5B bridge pickup and Phat II EQ give you the full tonal spectrum from punchy to fat without depleting your....
Squier Mikey Way Signature Mustang Electric Bass Guitar Silver Sparkle With Black Racing Stripe Rosewood Fretboard
The Fender Mikey Way Signature Mustang Electric Bass Guitar has a number of unique features. Mustang basses have a short scale, or neck length, that's ideal for younger players or guitarists who want to adapt quickly to the bass. Even players with large hands appreciate the tone and speed of fingering that the Mustang allows. This signature version features a special silver sparkle finish, a black painted headcap, a black/white/black pickguard, and a powerful humbucking pickup.Available in Silver Sparkle w RacingStripeBlack Painted headcapBlack/White/Black pickguardPassive humbucking pickup30" scale length
Jackson Js32rt Dinky Electric Guitar Trans Black
The Jackson JS32RT Dinky guitar features all the classic Jackson speed, sound, and high performance in a model that was one of the original Jackson innovations. It has 2 high-output Jackson CVR2 humbucking pickups, reverse headstock, string-through body design, and JT390 adjustable bridge. This Jackson Dinky electric guitar is part of Jackson's entry-level JS Series. This series features super-affordable takes on classic and instantly recognizable Jackson designs, all built without compromising all-important tone and playability. All feature the 24-fret compound-radius necks and shark fin inlays beloved of Jackson shredders worldwide. Check the drop-down menu to the right to select colors and/or other options.Dinky body style Bolt-on maple neck 25-1/2" scale 12"-16" compound radius fretboard 24 jumbo frets Graphite nut 1.69" (43mm) nut width Jackson CVR2 humbucking pups Pearloid shark fin position inlays Chrome hardware Master volume/tone 3-position blade switch JT390 adjustable bridge with strings-through-body Die-cast tuners
Ibanez Rga72qme Electric Guitar Blackberry Sunburst
The Ibanez RGA72QME electric guitar features an archtop mahogany body for tonal warmth and robust sustain while the beautiful quilted maple top adds visual appeal. A 3-piece maple set neck has the Ibanez Wizard III profile for fast and effortless shredding. It's equipped with fat and strong active EMG-85 neck and EMG-81 bridge humbuckers have a high-output fat sound, yet are tweaked to produce a balanced clean sound.Mahogany body with quilted maple top3-piece maple Wizard III set neckRosewood fretboard24 jumbo fretsOffset dot inlay on 12th fretEMG-85 active neck humbuckerEMG-81 active bridge humbuckerMaster volume, master tone, 3-way pickup switchGibraltar standard fixed bridge
Epiphone Les Paul Tribute Plus Electric Guitar Black Cherry
Epiphone's long friendship with innovator Les Paul dates back to the late '30s and early '40s when Les and fellow guitarists such as Charlie Christian and George Barnes were at the forefront of jazz guitar. Epi Stathopoulos and Les were good friends and Epi would let Les use the Epiphone factory on 14th Street in New York City at night after hours to experiment on guitar and pickup designs. This also was the era when Les, inspired by the stinging sustain heard in electric steel guitars, began dreaming of making a solidbody guitar. He built his first, the legendary "Log," at the Epi factory in 1941. Over the years, Les continued to work closely with Epiphone luthiers, reviewing new product ideas and offering suggestions. Now, the Epiphone Les Paul Tribute Plus honors Epiphone's friendship with Les by combining his classic design features with legendary Epiphone quality and value with the added power of Gibson USA '57 Classic humbuckers.