Peavey Triple XXX Head
The ULTIMATE tone machine. As hot as the name implies, the XXX® rips. An amp not for the faint of heart, it comes loaded with practical features such as a high-gain input and paralleled speaker outputs. Utilizes four 12AX7 preamp tubes and four 6L6GC power amp tubes. Power amp section can be converted to use four EL34 tubes.Delivers an earth-quaking 120 Watts of pure tube power controlled by a master volume pot and independent volume knobs for each of its 3 channels. The Ultra and Crunch channels have gain controls to further assist in taming this beast while achieving killer sound.
Tone contour is accomplished through passive controls for Bass, Mid, and Treble on the Clean channel, while the Ultra and Crunch channels utilize active Bottom, Body, and Hair (lo, mid, hi) controls.Designed to work equally well into 4, 8, or 16 ohm loads, matching this monster to a cabinet is a pleasure, not a pain. Includes footswitchable channel and effects loop, damping switch (tight, medium, loose), and line out with level control. Footswitch included.
Peavey Delta Blues 115
Classic style, classic tone and modern versatility. If the blues is your way of life, this is your amp. 30 classic all-tube watts are way louder than solid state and modern flexibility comes from a tremolo with speed and intensity controls, pre-and post-gain controls on the lead channel, 3-band passive EQ, a boost switch, external speaker jack, and an effects loop.Jamming or gigging, this baby can hold down your end of the sound.
Peavey Windsor Studio
The single-channel Windsor Studio features a footswitchable Boost button, which increases the preamp level to allow the flexibility of a dual-channel amp plus control over the dynamic response and rich distortion characteristics of its class-A tube power topology.
The Boost function can be used as an overdrive feature for the power section or simply as a volume boost for soloing. This 15-watt amplifier uses two 12AX7 preamp tubes and one EL34 power-amp tube in a single-ended configuration with no negative feedback. The power section is designed to accommodate 6L6GC, 6550, 6CA7, KT88 and KT66 octal power tubes, as well as variations on those types.
Peavey's exclusive new Power Sponge™ output attenuator incrementally adjusts the power output of the amplifier while maintaining the distortion characteristics of the power amp at any chosen volume level. Also onboard is a transformer-balanced XLR direct output with a unique microphone simulator that allows players to send the amplifier signal to a recording device or front-of-house mix without the use of a microphone. Additional features include true spring reverb, preamp volume, master volume, three-band tone equalization, footswitchable effects loop and a single 12" loudspeaker.
Peavey Nashville 1000
The benchmark for pedal steel amps.
Peavey 6505 Head
Peavey proudly introduces its 6505 Series guitar amplifiers, named in celebration of Peavey's first 40 years, 1965 to 2005. The 6505 is also the relaunch of the 5150 Series, the immensely popular amplifiers Peavey designed with Edward Van Halen.
6505 Series amps feature five 12AX7 preamp tubes and four 6L6GC power amp tubes, with presence and resonance controls and three-band EQ for taming their notorious tone.
While known as the 5150, these amps became the undisputed go-to guitar amps for scores of rock, hardcore and metal bands due to their raw tone, relentless power and road-proven reliability. The 6505 is still the unquestionable choice for an ever-expanding list of endorsers, including 3 Doors Down, Ted Nugent, Atreyu, Steve Morse, In Flames, Arch Enemy, Visqueen, God Forbid, HIMSA, Darkest Hour, Sworn Enemy, Unearth and many more.
Peavey ValveKing 112 Combo
The Peavey ValveKing™ Series is a new, all-tube guitar amp line combining boutique features and hot-rodded tones with legendary Peavey reliability. Peavey ValveKing amps feature a patent-pending, variable Class A-A/B control called Texture™, which allows sweepable selection between Class A and Class A/B power structures, as well as any combination of the two. With this exclusive feature, guitarists can coax virtually any tone from this tweaked-out amplifier. The amp's preamp and power sections are powered by 6L6GC and 12AX7 tubes, respectively, and drive specially voiced 12 inch ValveKing loudspeakers (112 and 212 versions only).
Additional standard features include two footswitchable channels with independent, three-band EQ and volume, plus a footswitchable gain/volume boost on the lead channel to provide extra volume for solos. ValveKing amps also feature global resonance, presence and reverb controls, a buffered effects loop and dual speaker jacks in parallel (head and 212 only).
Peavey JSX Joe Satriani Signature Head
Peavey and Joe Satriani set out to create an amplifier that would give the widest range of EQ options and gain structures possible.This amp delivers sounds ranging from the Classic(R) 50 to vintage British to the modern Triple XXX(R) and all tones inbetween.
The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean). Tone shaping is accomplished through passive controls for Bass, Mid and Treble on the Clean channel, while the Ultra and Crunch channels utilize active low, mid and high controls. The Clean channel is pristine yet warm and is specifically voiced to work well with effects pedals. The Ultra and Crunch channels have gain controls and fat switches to further assist in taming this thunderous tube-powered beast while achieving killer sound.
Global resonance and presence knobs increase control of high-end tones, while a noise gate on the Crunch and Ultra channels cuts down on the excess noise generated by running the gain and EQ controls on high settings.
Since the gate is fully adjustable, you can really clamp down, leave it slightly open or just turn it off.
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